Wednesday, December 14, 2016

The Legacy of Junaid Jamshed: Radicalisation, Privilege & Hero-worship (A Response to faisal)

(This post reads as an address to the author of Mourning Junaid Jamshed after years of estrangement: An open letter to the fans of the star preacher, which was posted on this blog a few days ago following Junaid Jamshed's death in an airplane crash. NB: Faisal has since modified the original post.)

I must say that compared to some of your earlier posts, this one comes across as a little less ‎thoughtful and a little more adversarial. While you bring up valid concerns relating to privilege and its ‎associated blind-spots, you also engage in considerable projection and ascription.

Your mukhatab in this post is a straw-man of your own construction – to whom you ascribe an ‎assortment of undesirable attitudes and beliefs. You proceed to carry out a purely speculative ‎psychoanalysis of this person:‎

“You view his Tablighi career as virtuous, but you loved him for his past that you deemed sinful: ‎his career in music. You loved him not because he was a good preacher. There are lots of them ‎that you do not care about. You loved Junaid because he was a pop star in the first place, and ‎you love stars, especially after they convert to your religious sensibility, and bring you lots of ‎validation. Just as you have loved Yusuf Islam (aka Cat Stevens), and Muhammad Ali for their ‎iconic status. Because these celebrities bring you validation, they make you feel good about ‎your religion and ultimately yourself. You loved Junaid Jamshed because he embodied the ‎tension that you experience yourself. He embodied your love for music, which you think is ‎sinful, and your desire to be devoted to God, at once. His conversion to Tablighi religion was a ‎story of spiritual success that you wish you would achieve in your own life. Renounce ‘sin’ and ‎devote yourself to God.”

While some of this psychoanalysis may hold a kernel of truth, it is important to recognise that it is an ‎exercise in speculation – doubling the zann factor of your analysis.

You later address the “real” people who you have known to celebrate JJ’s life and stardom, for whom ‎he has been a hero, and who now fill your newsfeed with homage and tributes to him after his death. ‎What I see you doing here is inflicting a kind of violence – denying these people the space to celebrate ‎a hero of their choosing and to mourn his passing. People have well-founded reasons to celebrate ‎him: As an artist, he produced extremely popular music; as a religious preacher, he was involved in philanthropy; as a “personality”, his life-story had elements of drama and ‎pathos which have universal appeal among people. People always choose heroes who bring them and ‎their identity validation – this isn’t unique to JJ’s followers. You cannot ignore these very ‎understandable reasons for people to love him. More importantly, however, you cannot deny these ‎people the space to celebrate him – or worse – deny them the consideration and compassion they ‎deserve while they mourn his tragic passing.‎

You state that you find the shift in his religiosity alienating. His renunciation of music and the espousal ‎of “a religious sensibility that denies human nature” makes you uneasy. You are unable to celebrate ‎him or to see him as your role model. Your religious sensibilities are more expansive, more complex, ‎more nuanced. Fair enough.‎

I do not see Junaid Jamshed’s evangelism as a call for/towards radicalisation in itself – even though ‎elements of radicalisation and sexism come with the package of the Islam he preached. He was ‎primarily a caller to God – as is the tendency of the Tablighi movement in general. Sexism and the ‎renunciation of music was not his central message; it wasn’t something he specifically preached. He ‎may have experienced a radical shift in his personal life, but he did not call on his followers to do the ‎same. He sang nasheeds instead of Gorey rang ka zamana. He grew a hideous beard and decided to ‎look unsexy. On the spectrum of radicalisation, the nature and scale of JJ’s message is pretty ‎innocuous.‎

Relatedly, I would argue that in a class analysis, Junaid Jamshed’s later life was a continuation of his earlier avatar as a pop star. He started out in the Pakistan Air Force, shot to popularity ⁠with a career in ‎music, established an upmarket designer label, and died a huge celebrity in a plane crash. I mean these ‎are not exactly experiences everyone can relate to. These are not the standard landmarks of an ‎average Pakistani’s life. He was born an upper-middle or upper-class urban elite; he lived as one his ‎whole life; and he died as one.‎

The upheavals of his inner life were magnified because of his public stature. While extreme shifts of ‎lifestyle may not inspire you personally, I do not see what is wrong with taking inspiration from such ‎individuals in general. Most of the early converts to Muhammad’s religion were people who ‎experienced extreme reversals of faith, extreme about-turns in their entire worldview. In the matter ‎of a few moments, Umar al-Khattab was transformed from being a staunch enemy of the movement to ‎probably its strongest champion. There is something to be said for people who are open-minded ‎enough to renounce a cherished lifestyle after coming across something that makes better sense to ‎them. It indicates a certain innate humility, an acknowledgement of the fallibility of belief, a spiritual maturity that risks being mistaken as fickleness.

However, it is also unacceptable that Junaid Jamshed’s fans – mostly mainstream Sunni men from the ‎Indian subcontinent – institute a discursive tyranny of their own by appealing to etiquette (or “sunni ‎adab”, as you call it). Etiquette often becomes an instrument to wield privilege, to venerate existing ‎structures of power, and to silence valid criticism. The excuse of etiquette is used by men to silence ‎women in a patriarchy. Tone-policing is the standard tactic of continuing to oppress a minority ‎population – such as Black people in the US. Likewise, suppressing criticism of someone out of ‎‎“respect” becomes a means of maintaining discursive hegemony. I have personally never understood ‎the logic of putting a moratorium on criticising a dead person. How does someone’s death suddenly ‎make it unacceptable to criticise them (as long as it isn’t done disrespectfully)? If you disagreed with ‎and criticised someone while they were alive, why can you not continue that after they’re dead? By ‎that measure, does it ever become okay to criticise a dead person? If not, how do we study history – ‎which deals with talking about dead people – without violating the expectations of adab? Additionally, ‎this adab tends to be selectively extended only to people we personally respect – we pick and choose ‎who gets to be respected in death and who doesn’t.

On this point, I thank you for putting this in terms of class, gender and cultural privilege and the ‎maintenance and reproduction of their respective hegemonies.

In short, Junaid Jamshed was your average garden-variety sexist maulvi whose real-world influence ‎doesn’t extend beyond a certain space-time capsule. Let us respectfully disagree with some of the ‎things that come with the package of his Islam. Above all, let these disagreements be part of an ‎ongoing exchange of ideas within the cultural universe of Islam, instead of ill-timed ad hominem attacks during moments of loss and ‎grieving. In subverting systems of oppression, let us not institute a tyranny of our own, an ugly ‎obstinacy that goes against wisdom and compassion. We need to develop an etiquette of beautiful ‎resistance.‎⁠⁠

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